Monologue text
A doll house by Ibsen
Information
A doll house (Act III)
Role: Nora Helmer is a vibrant young housewife who suffers from a crippling
dependency on her husband, Torvald, of eight years who does all the thinking for
both of them. In order to save him from a debt and to spare his masculine pride,
Nora arranges a loan (without his knowledge and by forging a signature). When
the crime is inevitably revealed, Torvald's response sets into motion a series
of events that call the very validity of their marriage into question, and Nora
awakens to a sense of true self-awareness for the first time in her life. And in
one of the most famous (and scandalous) climaxes in all of nineteenth century
drama, Nora makes a choice that continues to be debated by audiences to this
day.
Age: N/A
Monologue synopsis: A woman tries to escape from the golden cage, of a
good marriage, and to close behind her the door of the doll's house.
Monologue
Nora: I've waited so patiently for eight long years - for, my
Lord, I know miracles don't happen every day. Then this horrible
misfortune came upon me; and then I felt quite certain that the
miracle was going to happen at last. When Krogstad's letter was
lying out there, never for a moment did I imagine that you could
give in to this man's terms. I was so absolutely certain that you
would say to him: go on, tell your tale to the whole world. [And
when that was done...
Helmer: Yes, what then? When I had exposed my wife to shame and
disgrace?]*
Nora: When that was done, I was so utterly sure, that you would step
forward and take everything upon yourself, and say: I am the guilty
one.
[Helmer: Nora!]*
Nora: You think that I would ever have accepted such a sacrifice
from you? No! Οf course not. But what would my assurances have been
worth against yours? That was the miracle which I was waiting for,
in terror and hope. And it was to prevent it, that I wanted to kill
myself.
[Helmer: I would gladly work night and day for you, Nora—bear sorrow
and want for your sake. But no man would sacrifice his honor for the
one he loves.
Nora: It is a thing hundreds of thousands of women have done.
Helmer: Oh, you think and talk like a heedless child.
Nora: Maybe.]* But you neither think nor talk like the man I could
join myself to. As soon as your fear was over - and it wasn't fear
for what threatened me, but only for what might damage you - when
all the danger was past, for you it was as if nothing at all had
happened. I was exactly as before, I was your little lark, your
doll, which you'd have to handle with double care, now that I'd
turned out so brittle and frail. (Gets up.) Torvald - in that
instant it dawned on me that for eight years I had been living here
with a stranger, and had borne him three children. Oh, I can't stand
the thought of it! I could tear myself to bits!
(* the text in brackets can be easily omitted by the performer)
~An excerpt from
A Doll House~
[Translation by Alice Katsavou]
Books and movies (about 'A doll house')

- Book: A Doll's House (Dover Thrift Editions)
- Book: Four Major Plays: A Doll's House, Ghosts, Hedda Gabler, the Master Builder (Oxford World's Classics)
- Book: CliffsNotes on A doll's house & Hedda Gabler
- Book: A Doll's House and Other Plays
- Book: "A Doll's House" - Study Guide from Gale's "Drama for Students" (Volume 01, Chapter 6) [PDF download]
- DVD: A Doll's House
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Related Links
- Ibsen.net
- Henrik Ibsen Quotes - The Quotations Page
- Biography: Henrik Ibsen | Henrik Ibsen |
- Study guides for 'A Doll House': BookRags.com | SparkNotes | GradeSaver | Baron's booknotes |
- e-text: A Doll's House - Project Gutenberg
- e-text: The Wild Duck
